This era began in this country with postcards put on sale by vendors and exhibitors at the Columbia Exposition in Chicago in 1893. These proved to be enormously popular, but are now scarce. They can be identified by a combination of the following:
In 1898, the US government gave private printer permission to print and sell postcards. These cards were typically reprints of the earlier Pioneer cards, with the inscription “private Mailing Card” added.
These postcards have undivided backs intended for the address only. Short messages were written on the front, or picture side of the card. Used cards of this era with writing on the picture side are acceptable by collectors
The divided back provided space for the address and the message on the back of the card, and left the front unmarked. Collectors loved these cards for mailing scrapbooks and trading. Typically, the image filled the entire front of the card.
This era began when postcards ceased being imported from Germany during the First World War. US printers began producing postcards to fill the void, but these were of lesser quality than their German predecessors. The White Border Era signaled the end of the “Golden Age of Postcards”. Postcards of this age were often reprints of earlier divided back era cards with a white boarder around the image.
Postcard manufacturers began using higher quality paper with a high rag content to produce cards with a textured surface, but still used inferior inks. Linen era cards depicting Roadside America, Black Americana, comics, and advertising are very popular with collectors.
Introduced in 1939, photochrome cards became highly popular with collectors because of their beautiful colors.
These cards often have the photo processing information in the stamp box, and can sometimes be dated based on that (see The Postcard Price Guide by J.L.Mashburn Colonial House 4th Edition c2001 for specifics).
Subcategories of postcards that fall within the timelines above include THE ART NOVEAU ERA (1898-1919) and the ART DECO ERA (1910 –early 1930’s) Both types exemplify the use of color, drawing style, subject matter, and printing techniques of their particular era.